L I M T E D
In John King’s novel “The Football Factory” there is a chapter where the firm go down to Millwall and get surrounded down a dead end by hundreds of thugs with paving slabs and bricks raining down on them. This week has been like that.
On the train back to London on Sunday I got a call from Grace. She confessed she had missed a couple of festival deadlines, now seemingly struggling under the workload. I told her they were unimportant ones, not to worry and that she should concentrate on the important ones for now. She seemed to me a bit demoralised. I offered to take over the job from her but in reality I have no idea where I would find the time except by cloning myself! Later I agreed to meet her once a week to give support and guidance. I hope that will help.
On my return I found a letter from the UK Film council waiting for me. It was a rejection for funding for “The Power”, the film I want to shoot next. The letter had three of its four paragraphs absolutely identical to the one I received two weeks ago about finishing finance for DEP. This gave away that it was nothing more than a form letter with a paragraph added giving a reason for rejection.
This shows that it’s all about finding a reason to not fund a project rather than the reverse. The last paragraph states “We receive 250 applications a year and 9 received funding last year”. With the projects of Michael Winterbottom, Ken Loach, Mike Leigh and Shane Meadows certainties and an equal number of A list Producers also certainties that means there is, in reality, about a 1 in 250 chance of ever getting finance out of this film body. Statistically it’s almost a waste of time applying! In Cannes we were one step away from financing this film. Now that one step is revealed as being almost impossible. Back to the drawing board!
Tuesday was the most demoralising day on the film so far. After a day of chasing up Sales Agents, at 4pm, after much persistence, I had finally got things running with the scanning and the picture grading such that I could see the end of post production in sight for the film. We were scheduled to finish it in 5 weeks time. Grading will finally start next week. We were nearly there!
At 4.30pm I got a call from SynxSpeed where we are mixing the film. They asked could we start pre-mixing next week on the 30th of June, a week early. The tracks were not all layered and ready to start on Monday. They then offered me a start date of August 18th, the date we should have finished the film! This would lead to another 4 weeks delay and would mean we miss the key film festivals. I was utterly gutted. The process seemed endless again.
The next day things went from bad to worse when I discovered that the sound mixer we want, Nicholas la Messier isn’t actually free on August 18th. He is now busy until September 1st! That seems to make it almost certain that we will not have Nicholas as our Dubbing Mixer. A terrible loss! “The Lord giveth and the Lord taketh away” springs to mind.
On Thursday even harsher news came in. Steve Lindsey got a quote on the music tracks I want and that I have been asking Sam to get me a price on for the last three months. The quote is ridiculously high. I wish I had known this before locking the picture and could have acted accordingly. It took Steve one week to do something that I’ve chased for twelve. Anyway, it leaves me with a number of choices now. None of them are ideal.
On Friday Sam cancelled our meeting to go through contracts again. This time due to a death in the family. In the afternoon I went to the cutting room to try to address other music problems to no avail. Last night I discovered Channel 4 had also passed on “The Power”. Then I discovered, despite the promise on Tuesday, that the scanning still hasn’t started yet!
This morning I woke to discover I am going grey, not just one or two grey hairs but a whole crop of them. If nothing else, the timing is apt! Shortly after that my father called to say that the doctors now think that he has cancer.
As of today, we have agreed, although inconvenient for Axle, to salvage something from the situation and do the dialogue pre-mix next week. That will mean we have done half the pre-mixing. One step forward, eight steps back. When and where we do the rest I do not know but by small steps we will get there – I hope!
Yesterday during a text exchange with Jonnie I said “Sometimes an army can advance, sometimes it has to retreat but as long as it never surrenders it can always prevail.”
Last weekend I made the final decision regarding music score i.e. that we will go with Marcel’s score. I will go to Munich on the 10th for final tweaks, to sign the contract and to accept delivery. One other composer chased me endlessly but in the end his ideas weren’t quite right for the film. It’s sad making any choice like this but it had to be done.
On Monday we started dialogue pre-mixing at Synxspeed with Mark Sheffield, a jovial character with much experience. There were technical problems at the start which lost us 3 hours but by the end of the day we had still done reel 1. I texted Jonnie to tell him we were 1/18th of the way there with the sound mixing.
Very early on I learnt that there had been some slippage with other projects and thus it was likely now that we would be able to at least start FX pre-mixing next week – provided JD and Axle are ready by then. I don’t even think it is impossible now that Nicholas is not free to do the final mix. Nick Pocock there said we’d probably finish the sound this month. We’ll see. I hope so!
So the sound was progressing at last but the picture was still stalled as the scanning was delayed again. Before Cannes the picture was 8 weeks ahead of the sound. Now they are about level timewise.
On Tuesday things progressed apace in the pre-mixing. We completed two more reels before I had to rush into town for a couple of meetings. I left Axle in charge. The second meet was with Grace about film festivals. After re-organising her files, I think she is in ready now to take the bull by the horns. She also told me she had raised some money at the weekend which is great news. Just before I had learnt earlier that some money I assumed we owed, we actually don’t. Also at the weekend I raised some money from Bill James who had won in the football book in run on all major football tournaments. He decided to invest it in the film.
Then I learned the scanning had been delayed again.
On Wednesday we motored through finishing the last 3 reels. All is sounding great so far and Mark has done an excellent job. I texted Jonnie to tell him we are a third of the way there with the sound mix. The process has been quite quick thanks to the simplicity of the film i.e. mainly two characters, the quality of the original sound and the skill of the dubbing mixer. I hope Mark can do the FX pre-mixes also.
At lunch we recorded sound for the football table inserts that we couldn’t foley in the main session. The score was QPR 5 Man Utd 1 if anyone is interested!
It’s funny being in a mix, you sometime hear the same line over and over again and it sticks in your brain. This week the line that sticks is “Where are we going exactly?” The mixer sometimes has to play a line over and over to get the EQ right. If I hear this line in passing, on the tube for instance, it will prompt a quick turn of my head I am sure!
Afterwards I met up with Neil Harris to talk about the picture post, what can be done to speed things and about the final part of the post. It was a very pleasant meeting. As we drove back into London I found out that finally they had started scanning the FX shots that Daniel so urgently needs, the first stuff to be scanned. Rachel from Midnight Transfer said “You know this will take 2 weeks to complete?”
I replied “I do know that and have been waiting 8 weeks to start!”
The good thing is we plan to grade reel by reel just like we are mixing reel by reel.
Yesterday and today I had a chance to catch up with things in the office. Meanwhile, the scanning is still progressing but next week Jean-Claude, our colourist, is not free, at least initially. I hope that he will become free and that we can start grading next Friday.
So now we are preparing to mix the FX’s for reels 1 and 2 on Tuesday. JD and Axle are working all hours. Axle worked until 2am Monday night and 3am Tuesday night to be prepared. I assume JD is doing the same. As of today I think Axle has prepped the first 5 reels and that JD has finished the first 2. Tomorrow I will see them both. I am keeping the pressure on them but of course if the question is asked “Do you want it quick or good?” it has to be the latter otherwise what’s the point?
I am still waiting for music contracts to be delivered by Sam. I am in constant contact with Steve, though, who is now negotiating with the name artists.
Next week also, my father starts radio therapy.
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