WEEK 35 Friday July 04th...

Last weekend I made the final decision regarding music score i.e. that we will go with Marcel’s score. I will go to Munich on the 10th for final tweaks, to sign the contract and to accept delivery. One other composer chased me endlessly but in the end his ideas weren’t quite right for the film. It’s sad making any choice like this but it had to be done.

On Monday we started dialogue pre-mixing at Synxspeed with Mark Sheffield, a jovial character with much experience. There were technical problems at the start which lost us 3 hours but by the end of the day we had still done reel 1. I texted Jonnie to tell him we were 1/18th of the way there with the sound mixing.

Very early on I learnt that there had been some slippage with other projects and thus it was likely now that we would be able to at least start FX pre-mixing next week – provided JD and Axle are ready by then. I don’t even think it is impossible now that Nicholas is not free to do the final mix. Nick Pocock there said we’d probably finish the sound this month. We’ll see. I hope so!

So the sound was progressing at last but the picture was still stalled as the scanning was delayed again. Before Cannes the picture was 8 weeks ahead of the sound. Now they are about level timewise.

On Tuesday things progressed apace in the pre-mixing. We completed two more reels before I had to rush into town for a couple of meetings. I left Axle in charge. The second meet was with Grace about film festivals. After re-organising her files, I think she is in ready now to take the bull by the horns. She also told me she had raised some money at the weekend which is great news. Just before I had learnt earlier that some money I assumed we owed, we actually don’t. Also at the weekend I raised some money from Bill James who had won in the football book in run on all major football tournaments. He decided to invest it in the film.
 
Then I learned the scanning had been delayed again.

On Wednesday we motored through finishing the last 3 reels. All is sounding great so far and Mark has done an excellent job. I texted Jonnie to tell him we are a third of the way there with the sound mix. The process has been quite quick thanks to the simplicity of the film i.e. mainly two characters, the quality of the original sound and the skill of the dubbing mixer. I hope Mark can do the FX pre-mixes also.

At lunch we recorded sound for the football table inserts that we couldn’t foley in the main session. The score was QPR 5 Man Utd 1 if anyone is interested!

It’s funny being in a mix, you sometime hear the same line over and over again and it sticks in your brain. This week the line that sticks is “Where are we going exactly?” The mixer sometimes has to play a line over and over to get the EQ right. If I hear this line in passing, on the tube for instance, it will prompt a quick turn of my head I am sure!

Afterwards I met up with Neil Harris to talk about the picture post, what can be done to speed things and about the final part of the post. It was a very pleasant meeting. As we drove back into London I found out that finally they had started scanning the FX shots that Daniel so urgently needs, the first stuff to be scanned. Rachel from Midnight Transfer said “You know this will take 2 weeks to complete?”
I replied “I do know that and have been waiting 8 weeks to start!”
The good thing is we plan to grade reel by reel just like we are mixing reel by reel.

Yesterday and today I had a chance to catch up with things in the office. Meanwhile, the scanning is still progressing but next week Jean-Claude, our colourist, is not free, at least initially. I hope that he will become free and that we can start grading next Friday.

So now we are preparing to mix the FX’s for reels 1 and 2 on Tuesday. JD and Axle are working all hours. Axle worked until 2am Monday night and 3am Tuesday night to be prepared. I assume JD is doing the same. As of today I think Axle has prepped the first 5 reels and that JD has finished the first 2. Tomorrow I will see them both. I am keeping the pressure on them but of course if the question is asked “Do you want it quick or good?” it has to be the latter otherwise what’s the point?

I am still waiting for music contracts to be delivered by Sam. I am in constant contact with Steve, though, who is now negotiating with the name artists.

Next week also, my father starts radio therapy.